Barrie, ON….Today, Artistic Producer Arkady Spivak announced that Talk Is Free Theatre (TIFT) will present a lineup of intimate live performances this September that exemplify the resilience, fortitude, and determination of the human spirit during these times.

Staged outdoors, in private backyards around the Barrie area, this collection of captivating works will give voice to the many diverse and vital voices, with the utmost attention to new health and safety protocols. A total of eight different works will be staged at a variety of locations, with a drastically reduced audience size of up to 20 patrons per performance in order to ensure the safety of patrons and artists. Further details are included below.

PLEASE SEND APPLAUSE

TIFT is keenly aware that not all regular patrons will find it possible to attend this September. However, they can still become part of all performances by sending their applause. All contributions will become part of the soundscape and will be played at the end of every performance.  Recordings of clapping, in an MP3 format using a mobile app (Voice Memo, Audio Recorder, etc.) can be sent to richard@tift.ca by August 15.   

PROGRAMMING

September 9-19, 2020

Beneath Springhill: The Maurice Ruddick Story

Created and performed by Beau Dixon

Music and lyrics by Susan Newman and Rob Fortin

Originally dramaturged and directed by Linda Kash

Sound design by Beau Dixon

Maurice Ruddick, an African Canadian, was awarded “Citizen of the Year” for saving the lives of his fellow workers after an historic mining disaster in Springhill, Nova Scotia, in 1958.

Actor Beau Dixon will recall the events of the seven miners trapped two miles beneath a small mining town, the effect it had on their rural Canadian community and the racial tension that surfaced as a result.

Dixon plays 10 characters: Maurice; the six miners whose lives he was credited with saving; a news reporter; Valerie, one of Ruddick’s 13 children; and Ruddick’s wife, Norma. Beneath Springhill is a story filled with tragedy, drama and comical, yet conflicting, moments of hope and bravery.

Performances: September 9 to September 19, 2020, on Wednesdays to Saturdays at 8pm.

Venue: Backyard of a private residence at 801 Big Bay Point Rd, Barrie.

THE PLURAL OF SHE

A brand new mini-festival created and performed by women and feminine-identifying artists. These works are a collection of the timely and poignant stories from unique perspectives. Details for the individual performances for The Plural of She are as follows:

Having Hope: A Hand Drum Song Cycle

Created and Performed by Nicole Joy-Fraser

Through her gifts of song and hand drum, 60’s Scoop witness Nicole Joy-Fraser shares the reclamation of her Indigenous identity, her journey of healing and her personal decolonization through the performing arts.  Birthed from an invitation by her colleague and mentor Maja Ardal, Nicole thought if she replaced the piano and bar scene of a Cabaret-style concert with the hand drum and a back yard, then it could be an opportunity for a small audience to learn and hear her story. Ultimately this is the perspective of a professional Indigenous Artist and Cultural Arts worker who has been establishing herself over the last 20 years with the incredible support of her family, her community and her ancestral lineage. This production is the official premiere and first time that Nicole is devising solo work. Kininâskomitin.

Performances: September 23, 2020, at 6pm and September 24, 2020, at 6pm.

Venue: Backyard of a private residence at 16 Lougheed Road, Barrie

In Case We Disappear

Created and Performed by Vanessa Smythe

In Case We Disappear is a series of poems, songs, and comedic anecdotes that “quickly tack between the humour in everyday minutia, and grand, heartfelt observations about big life questions.” (NOW Magazine).

Vanessa Smythe has toured the show to sold-out houses through North America and the UK where it was Critics Pick in 9 publications, and also named one of the best free shows at the Edinburgh Fringe (BFTBO Scotland).

Performances: September 25, 2020, at 6pm and September 26, 2020, at 2pm.

Venue: Backyard of a private residence at 72 Monique Crescent, Barrie.

Smart

Created and Performed by Nicky Guadagni

Elizabeth Smart wrote one of the most passionate accounts of romantic love in modern English literature, but the real narrative of her life is far more complex. Smart is about the experience of being a woman artist in the middle of this century and how genuine connection is not bound by time.

Nicky Guadagni has created a compelling and personal exploration of the romantic legend, passionate mother and transcendent Canadian writer.

Performances: September 26, 2020, at 6pm and September 27, 2020, at 2pm.

Venue: Backyard of a private residence at 16 Lougheed Road, Barrie.

These Are The Songs That I Sing When I’m Sad

Created by Jane Miller and Brian Quirt

Performed by Jane Miller

A Nightswimming production

These Are The Songs That I Sing When I’m Sad is a joyous show about sad songs! Jane Miller shares the songs that she turns to when she’s blue, exploring the musical elements that make so many sad songs so addictive.  Join this remarkable singer for an intimate and personal look at the bond we have with sorrowful songs, the stories that make them stick in our hearts, and the deep emotions that take us back to them again and again.

Performances: September 28, 2020, at 6pm and September 29, 2020, at 6pm.

Venue: Backyard of a private residence at 23 Theresa Street, Barrie.

Justice for Malindi Ayienga

Created and Performed by Malindi Ayienga

If the #BlackLivesMatter movement doesn’t move you, maybe it’s not personal enough. If black bodies being brutalized are haunting your dreams, maybe you need some black JOY.

Malindi Ayienga invites you to come as you are, she certainly will be. From the girl who on almost every report card, brought home critiques of her chatty nature during class time.  Find out just what she’s running her mouth about, with direct quotes from over a decade of diaries. She will probably sing, she will probably dance, most like she will cry because her moon is in pieces and yes she most definitely will talk about astrology.  The entire show will be completely improvised and as interactive as you allow it to be. She’s got a big heart, lots to say, and she’s here to introduce herself. I am Malindi Ayienga. I am Breonna Taylor. I am George Floyd. I am Atatiana Jefferson. I am Philando Castille. I am Tamir Rice. I look forward to meeting you.

Performances: September 30, 2020, at 6pm and October 1, 2020, at 6pm.

Venue: Backyard of a private residence at 72 Monique Crescent, Barrie.

The Cure for Everything

Created and Performed by Maja Ardal

Scotland, 1962.

15-yr-old Elsa is full of teenage heartache and hungry to be part of the high school “in crowd”. But her world turns upside down when she comes home one day to news of the Cuban Missile Crisis. Hearing that this could be the start of World War 3, she resolves to live her life as fast as she can before the world blows up. The ensuing adventures are sometimes hilarious and sometimes terrifying.

“Maja Ardal offers us a magical kingdom where actor and author unite in blissful harmony” – Richard Ouzounian, The Toronto Star

Performances: October 2, 2020, at 6pm and October 3, 2020, at 2pm.

Venue: Backyard of a private residence at 23 Theresa Street, Barrie.

E-Transfers

Created and Performed by Gabe Maharjan and Merlin Simard

What do love and money have in common? They’re sometimes used recklessly, often desired, and – whether we like it or not – they are vital to our survival. Wyn (they/he), Emma (they/she), and Zein (they) are hustling within their digital trans community as they make, save, and spend these currencies.

E-Transfers was developed at the Buddies in Bad Times Emerging Creators Unit in partnership with b current performing arts and Catherine Hernandez. A live digital performance was broadcast on June 30th as part of Buddies’ Pride line up with support from The National Theatre School’s Art Apart Program.

Performances: October 3, 2020, at 6pm and October 4, 2020, at 2pm.

Venue: Backyard of a private residence at 16 Lougheed Road, Barrie.

COVID-19 PRECAUTIONS

The safety of our audience and artists are of the utmost importance. The following procedures will be implemented at every performance:

  • A screening checklist will be completed prior to entry for all patrons.
  • All patrons must provide their full name and telephone number for easier tracing, with the option of information not being used for any other purpose.
  • Masks must be worn by all attendees at all times.
  • Each venue has been measured extensively to ensure social distancing measures are met and maintained for each patron (or their bubble), as well as between them and the performer(s).
  • The seating capacity has been significantly reduced to the maximum of 20 seats, depending on the venue. 
  • An unlimited exchange policy up to one hour prior to the performance. 
  • Additional measures at the direction of health officials.

 RAIN POLICY

In the case of rain during any of the performances, we ask that patrons come prepared with an umbrella and a raincoat. In the event of light rain, the performance will continue. In the event of heavy rain, thunder or lightning, the performance may be paused or cancelled. 

FUTURE PROGRAMMING

This season, additional programming will be announced every two months to better mitigate the current health crisis.  However, TIFT already plans to produce a revival of their internationally acclaimed Secret Musical, directed by Mitchell Cushman. The work will be staged at an undisclosed location for a very limited audience, for an experience unrivalled since the work’s premiere in London, UK, two years ago.

Patrons of TIFT’s revival of Into the Woods, an iconic musical by Stephen Sondheim and James Lapine, will be asked to bring their favourite stuffed animals as their guests and seatmates. Director Michael Torontow says: “Children possess a sort of magic, which adults have a very difficult time accessing as they grow older. Their boundless creativity and curiosity, their unconditional love and acceptance of others…” And so, the patrons will help contribute to the whimsy and the imagination of the story, by turning the social distancing parameters into one of the greatest magical moments in the woods.

Finally, TIFT’s long-running production of Tales of an Urban Indian by Darrell Dennis, and staged on a moving city bus, will be revived in Grande Prairie, Alberta, later this fall.

TICKET PURCHASES

Only single tickets and the Producer’s Circle program will be offered this year. All regular ticket prices have been reduced to $25 plus HST. To purchase limited tickets, please visit www.tift.ca  or call (705) 792-1949. For health reasons and due to the lower seating capacity, all tickets must be pre-purchased.