This intense work was commissioned by the Edinburgh International Festival, where it received its world premiere. After years in prison and subsequent hardships, Ray, fifty-five, has a new identity and has made a new life for himself, thinking that he cannot be found. Una, twenty-seven, has thought of nothing else; upon seeing a photo of Ray in a magazine, she has arrived unannounced at his office. Guilt, rage, and raw emotions run high as they recollect the passionate relationship they had fifteen years ago, when she was twelve and he was forty. Without any moral judgments, the play never shies away from the brutal truth of this abandoned and unconventional love. Una is looking for answers, not vengeance. Nevertheless, the consequences are shattering.

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A theatrical rendez-vous with Tess Benger.

A theatrical rendez-vous with Nolan Moberly.

A theatrical rendez-vous with Jakob Ehman

All The Cows Are Dead follows an artisan butcher who instructs his petulant and misanthropic nephew how to be more like him, leading both to discover how both the butcher and the poet are, in fact, the same. 

Noah Beemer stars as Steve who serves as our guide and confidant as he shares with us the story of a year’s worth of monthly trips to the family home for what inevitably become uncomfortable interactions with his mother, played by Jane Spidell. Kevin Bundy rounds out the cast.

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Company centers around Bobby, a bachelor on his 35th birthday, as he observes his married friends and their relationships, questioning his own bachelorhood and the full meaning of Being Alive.

A double bill event! Two plays take place across the street from one another, one in a dry cleaner and the other in a café.

In our remount of White Taffeta Silk, two teens dig up a soiled wedding dress from a bygone age and they find themselves trapped in a spin cycle of fear and yearning.

In Negro, Drowning, Rashyd is a worker going about a regular day at a café and shares a secret with his shop patrons.

Lily and Cameron, who are excitedly preparing for their upcoming nuptials. While Lily’s mother, Stephanie, dreams of her daughter’s big, white wedding, Lily has other plans, opting for a traditional Chinese ceremony instead. After a disagreement, Lily leans on her Pau Pau to aid in her preparations. When Pau Pau passes, Stephanie must decide if she can put aside her hopes for her daughter’s big day.

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