It's our 25th season!
With full line-ups in Barrie and Toronto, we are examining all the ways people navigate the systems that can elevate, control, oppress.
Whether those systems are legal, familial, cultural or civic, it’s about how inspiring a greater personal agency can disrupt them.
Though varied in form, the pieces are unified by questions of power, belonging, and the continual work of building community.
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It's our 25th season!
With full line-ups in Barrie and Toronto, we are examining all the ways people navigate the systems that can elevate, control, oppress.
Whether those systems are legal, familial, cultural or civic, it’s about how inspiring a greater personal agency can disrupt them.
Though varied in form, the pieces are unified by questions of power, belonging, and the continual work of building community.
The Province of Ontario requires proof of vaccination to attend all indoor theatre events. Please note that we will require:
-Proof of Vaccination & Valid ID upon entry.
-Patrons complete a Covid-19 Self-Assessment for contact tracing purposes.
-Patrons wear their mask at all times when in the building (except when actively eating or drinking)
Only book tickets if you have received your second vaccination at least 14 days prior to the performance. If you do not have proof of vaccination and proof of identity, unfortunately, you will not be allowed access to the building.
A security charge of $0.01 CAD is required to validate booking. Patrons can cancel or reschedule up to 48 hours before the performance without charge. Please email admin@tift.ca to make any changes.
In the event a patron fails to cancel or make alternate changes and does not attend the performance, a $25.00 charge will be applied per ticket to the patron’s credit card. This charge will be used as a donation to the theatre and a tax receipt will be issued.
It's our 25th season!
With full line-ups in Barrie and Toronto, we are examining all the ways people navigate the systems that can elevate, control, oppress.
Whether those systems are legal, familial, cultural or civic, it’s about how inspiring a greater personal agency can disrupt them.
Though varied in form, the pieces are unified by questions of power, belonging, and the continual work of building community.
Coming from Toronto and in need of transportation? We have a shuttle bus available which leaves at various times from The Sheraton Hotel, 123 Queen Street West, across from City Hall. Click Here for departure times and to purchase tickets.


Written by Jean Genet
Translated by Bernard Frechtman
Directed by Jillian Keiley
Site-specific venue in Barrie to be announced
Based on a true story, the darkly comic and unsettling The Maids tells an account of two sisters employed as servants in a wealthy household who engage in elaborate role-playing games, each taking turns as their superior, Madame. However, thanks to long-suppressed frustrations and desires, their private rituals intensify with devastating consequences. This celebrated drama is a provocative examination of social hierarchy and the masks people wear to survive in a world filled with inequality.

Devised and Curated by Griffin Hewitt
Location in Barrie to be announced.
In an immersive experience devised and curated by Griffin Hewitt, Don't Touch the Art transforms a large building into a living gallery of performance where multiple works, both new and TIFT favourites, unfold simultaneously across rooms, hallways, and hidden corners. Each encounter is designed to be a surprise, and every choice to enter, remain or move on to find a different installation will shape a unique self directed journey for each patron. No two experiences are exactly alike: the combination of works, encounters, and pathways available on any given evening may also differ, creating new possibilities for every return visit. Don't Touch the Art blurs the boundaries between exhibition, performance, and exploration, inviting audiences to become active participants in a theatrical experience unlike any other.
A second edition of Don't Touch the Art will be presented at the Rose Theatre in Brampton between January 14 and 17, 2027, featuring expanded content with a combination of returning and new entries.

Written by Oleg Mikhailov
Directed by Viktor Drevistki
Site-specific location in Barrie to be announced.
WORLD PREMIERE
A powerful new work by contemporary Ukrainian playwright Oleg Mikhailov, Letters of Ice and Sand makes its world premiere in Barrie. Written from inside a nation at war and spanning generations of conflict—from the Soviet-Finnish Winter War to the ongoing Russian invasion of Ukraine—the play gives voice to those whose lives have been shaped by violence, displacement, love, and loss, offering a deeply human perspective on one of the defining global crises of our time.

Written by David Henry Hwang
Directed by Esther Jun
Site-specific location in Barrie to be announced.
The gripping and thought-provoking drama, inspired by true events, blends political intrigue, romance, and questions of identity as it follows a French diplomat who becomes entangled in a decades-long relationship with a mysterious Chinese opera performer. As assumptions, fantasies and realities collide, long-held perceptions are challenged with disastrous consequences.

Written by Anton Chekhov
Directed by Christopher Manousos
Site-specific location in Barrie to be announced.
Anton Chekhov's The Seagull is a poignant portrait of artists, dreamers, and lovers struggling to find significance in a changing world. At the centre of the play is the young writer Konstantin, whose desire to create new forms of art is met head-on with resistance by those in his sphere. Relationships unravel and aspirations are tested, exposing the tensions between youth and experience, innovation and tradition, success and failure.

WORLD PREMIERE
Written by Michael Torontow
Directed by Kyle Brown
Site-specific location in Barrie to be announced.
WORLD PREMIERE
The Hayloft is a comedy about the increasingly difficult dream of building a life together. When a married couple transforms their newly renovated in-law suite into a vacation rental, parents, neighbours and guests begin to test both their patience and their relationship.

Book, Lyrics and Music by Ben Page
Directed by William Dao
Site-specific location in Toronto to be announced.
"An extraordinarily imaginative production."
--Christopher Hoile, Stage Door Review
All The Cows Are Dead follows an artisan butcher who instructs his petulant and misanthropic nephew how to be more like him, leading both to discover how both the butcher and the poet are, in fact, the same.

Written by Steve Ross
Site specific location in Toronto to be announced.
"An ache of a play, Steve Ross also directs this and he does it with care, detail, imagination and economy.The performances are superb."
- The Slotkin Letter
“Steve” serves as our guide and confidant as he shares with us the story of a year’s worth of monthly trips to the family home for what inevitably become uncomfortable interactions with his mother, who is suffering from depression.

Adapted by Charlotte Corbeil-Coleman
from Branislav Nusic's "The Cabinet Minister's Wife"
Directed by Layne Coleman
Translated from Serbian by Cintija Ašperger
The Theatre Centre (upstairs lobby)
1115 Queen Street West, Toronto
"With Madame Minister, Talk Is Free Theatre, the always surprising theatre company based in Barrie, has come up with yet another hit."
-Christopher Hoile, Stage Door
Živka Popovič is a small-town woman who vainly feels she deserves to live among the higher classes and receive more respect from those in her circle. When she receives news that her husband might be made a minister in the new government, her expectations and anticipation soar, knowing that her dreams will come true.

Written in 405 BC by Aristophanes
Freely adapted by Burt Shevelove
Even more freely adapted by Nathan Lane
Music and Lyrics by Stephen Sondheim
Original Direction and Choreography by Susan Stroman
The Theatre Centre
1115 Queen Street West, Toronto
"[An] antertaining production [that] strides strongly and confidently forward, overflowing with astute silliness and witty solidness as they travel with a lightness of foot alongside the sharpest of deliveries."
––Front Mezz Junkies
This boisterously hilarious, yet poignant musical follows Dionysos, Greek god of wine and drama, and his slave, Xanthias, on a journey to Hades to collect renowned critic and playwright, George Bernard Shaw, so that he may enlighten the easily misled and coerced masses of Earth. Along this journey, Dionysus and Xanthias meet Chekhov, Congreve, Ibsen, Brecht and, of course, the chorus of frogs. Then, Shakespeare shows up and starts declaiming his greatest hits; before long, he engages in a battle of words with Mr. Shaw. Who will win the honor of becoming reincarnated: The Bard or Bernard?

Written and Performed by Kyle Brown
Site specific location in Toronto to be announced.
The Sermon follows the life of an aspiring young pastor navigating the unpredictable and wacky terrain of evangelical bible college as he prepares to deliver his senior-year sermon. On his mission to be more like Christ, he wrestles with temptation, doubt, a professor with a vendetta and an unholy obsession for Donna Summer.